The 501 is a single slot, 500 series compatible case and power supply.
The CP4500 is a Stereo bus compressor based on the design that was originally used in a legendary British console, adapted to the '500' format of API*. It is famous for adding punch and glue to the mixes.
The CP5176 is a FET compressor based on the design that was originally used in the 1176 compressor, which has been adapted to the '500' format of API*.
The CP554 is a transformer coupled diode bridge compressor based on the design of legendary British consoles, adapted to the '500' format.
It is the ticket to immediate access to the classic, harmonics-rich sound of the seventies.
The DI503J is a triple mode Direct Box for instrument and a Re-Amp unit for the '500' format of API*.
The DI offers a Passive mode based on a Jensen transformer, a FET mode and a Tube mode. It also include a low noise, low distortion preamp for a line output.
The EQ573-II is an equalizer based on the design that was originally used in the Neve 1073 and 1084 modules, that has been adapted to the '500' format of API*.
The EQP501 is a passive equalizer based on the classic PULTEC EQP 1A, adapted to the '500' format of API*.
It is made of an all passive section followed by a gain make up stage based on a Discrete Op-Amp (DOA).
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The LA502 is a soft knee, electro-optical compressor based on the LA2A/LA3A design, which we have adapted to the '500' series format.
The MC624 is similar to the monitor section of a mixing desk: it lets you select one out of six stereo audio sources, adjust the level and route it to one of four monitor outputs.
The AB528 is a transformers coupled, class A mic preamp. The design, from the late 60's, is inspired by a legendary console, that was used at the most famous London studio by the greatest artists, such as the Beatles or Pink Floyd.
The MP 5.12 is based on one discrete Op-Amp, one Cinemag input transformer and one Cinemag output transformer.
The MP566 is a dual-triode vacuum tube circuit preamplifier based on a design that has been used in several famous devices from the 50's, which has been adapted to the '500' format of API*.
The MP573 is a two stages, single ended class A preamp, based on the design that was originally used in the Neve 1290/1073 modules, that has been adapted to the '500' format of API.
The MP 599 is based on one SK99 discrete Op-Amp, one Lundahl input transformer and one Lundahl output transformer.
The MU524 is a compressor where the gain variation is provided by varying the mu (gain) of a special tube.
With the help of two transformers it provides a smooth and natural soft knee compression which can travel into land of distortion when driven hard.
The PAD500 is a dual balanced line attenuator. It is used after a mic preamp or any effect that you want to drive hot without clipping your converters.
There are 2 attenuators available: One is wired between the in and out XLR's at the back of the lunchbox, the other between the 2 jacks at the front.
The REM624 is a remote control unit for the MC624 Monitor Controler.
It offers the same contols as the central unit (except headphones volume).
The SK25 is a discrete Op-Amp that is pin compatible with the 2520 and "99" DOA's.
The SK49 is a large diaphragm condenser tube microphone. The design was inspired by the legendary Neumann M49 with the addition of intermediary patterns and a switchable high pass filter.
The SK49 sounds fantastic, warm and clear on all sources.
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